Antique Table Clock Lèchopiè à Paris Marble Gilded Bronze France 1700s - Watch Support

Emilia Romagna, Late XVIII Century

Pair of neoclassical chests of drawers made of fir wood, veneered in walnut. Front with three tripartite drawers, central panels with inlays of popular figures, and lateral panels with leafy decorations included in frames with walnut and maple fillets. Sides and upper surface with central rosette, frames with maple and walnut fillets, truncated pyramidal feet. Bronze handles and escutcheons replaced, keys missing. Emilia, last quarter of the 18th century.

Tuscany, Late XVIII Century

Pair of neoclassical mirrors in walnut, gilded and lacquered. Carved cymatium composed of a pair of vases, leaf carvings and festoons that resume on the sides and at the base. Appliques missing, mirrors partially replaced. Restoration. Tuscany, third quarter of the 18th century.

Glimpse of Verona

Mixed technique on cardboard, ink, watercolour and white lead, signed lower left, presented in a gilded frame in style

Lombardy, Early XVIII Century

Baroque Lombard drop-leaf cabinet made of fir, veneered in walnut and walnut root, ebonized frames. Front with three tripartite drawers, with leaf spring movement. Drop-leaf cabinet with internal bipartite door, moved cabinet with six drawers with maple fillets and ebonized frames, sliding top concealing a secret compartment. Upright with drop-leaf top, contemporary bronze nozzles, vase-shaped feet. Lombardy, early 18th century.

Italy, Early XVIII Century

Pair of high chairs from the Baroque era, in walnut. Crosspieces replaced and restoration work.

Veneto, Mid XVIII Century

Pair of Baroque walnut chairs, Veneto, mid-18th century. Back panels decorated with rocaille style carvings; legs connected by crosspieces. Padded seats.

Bergamo, Early XVIII Century

Baroque walnut kneeler, Bergamo, early 18th century. Front with four drawers, one of which is in the lower section, small door on one of the two sides; decorated on the front with maple borders and carved tiles and pilasters. Fir interior. Hinges replaced.

Interior with Stove 1946

Oil on canvas. Signed and dated lower right. The work belongs to the first period of the Florentine artist, still close to the figurative before dedicating himself definitively to Abstractionism, in particular to classical Abstractionism, of whose Manifesto of 1950 he was one of the signatories. The work is influenced by post-cubism, in the representation of a figurative subject, not broken down as in cubism, but highlighted and emphasized in simple geometric lines, variously composed, in intersection, oriented in various ways, which refer to recognizable objects but depicted not as copies of reality but as formal concepts. The work is presented in a frame.

Italy, Early XVIII Century

Baroque chest from the early 18th century. Bipartite front with pilasters decorated with carvings of masks and scrolls, feral feet. Hinges initially replaced with ring hinges, original wrought iron lock, restorations.

Composition with Bread and Tomatoes

Oil on canvas. Signed lower right. The artist's stamp is on the back of the frame. De Bernardi's painting is part of the Lombard landscape tradition of the 19th and 20th century. He always lived in Besozzo, his hometown in the province of Varese, but he traveled a lot, in Italy and outside of Italy, collecting impressions and researching, to relive them in his work, new landscapes. He preferred landscape production, even if declined with a changing style in his different pictorial phases. His production does not lack some still lifes, dating back mainly to the 1940s, compositions scrupulously drawn and aimed at dealing with the problems of light and atmospheric depth with agility and freshness, as in this presentation of some bread and tomatoes on a rustic table. Restored and relined, the painting is presented in a frame.

Italy, XVIII Century

Pair of electrified torch holders in embossed and gilded copper sheet. Fabric lampshade.