Italy, Late XIX Century

Console in mahogany and mahogany feather, drawer in the under-top band, carved front legs representing a pair of swans, ebonized moldings. Cherry interior. Italy, second quarter of the 19th century.

Oil on canvas. French school of the 18th century. The scene depicts the moment in which an elegant young woman arrives at the site of an outdoor party: she is getting off her country carriage, pulled by dogs, gallantly helped by a young gentleman. Around her are the maid, still on the carriage, holding the parasol, the other girls in her entourage and the innkeeper who welcome the lady, and are preparing to set up the banquet with the food contained in the basket. The bright colors of the characters enliven the rural setting, while the white dress of the protagonist stands out and illuminates the scene. The painting, in the first canvas, shows traces of restoration and small losses of color. It is presented in an early 1900s frame.

Oil on canvas. In the beautiful composition you can see, resting on an inlaid wooden sideboard, a basket full of cherries, some of which are scattered on the top, and a plate full of red currants, mixed with leaves and a few cherry blossoms. A goldfinch rests on the handle of the basket; to frame the composition, on the right a large bouquet of multicolored flowers in a vase, on the left a red curtain. The bright colors of the fruits, the flowers and the curtain stand out, while the support cabinet blends into the dark background, as does the little bird, distinguishable from the dark background only by the white plumage on the wings and the red outline of the eyes. The work is part of the large 17th century Emilian production of this highly decorative type of subject. The painting, restored and relined, has a marked crack and drops of color along the edges.

Oil on canvas. Lombard school of the late 17th-early 18th century. The rich composition offers a large bouquet of colorful flowers in an embossed vase, next to two large pumpkins and mixed fruit (grapes and peaches): with different intensities of color, the various naturalistic elements emerge from the completely dark background, creating effects of lights and shadows. Restored and relined, the painting is presented in an early 20th century frame.

Harriet Beecher Stowe
Partridge and Oakey

Italy, Early XX Century

Wooden, chalked and painted sculpture depicting St. Augustine Bishop.

Untitled

Mixed technique: reworked photograph with applications of wax and overlapping of painted plexiglass panel. Eva Petrič, an artist of Slovenian origin who currently works between New York, Vienna and Ljubljana, creates photographs, videos, performances and installations, in which the goal is to "create space", which can be a physical space, or a mental, imaginary, or metaphorical one, rather than real. In her productions, the character on which she then elaborates a particular "vision" is often herself, her body or her shadow, a theme, overlapping other different elements to create a new spatial dimension. Attached to the work, an extract from the catalogue from the exhibition of Eva Petrič at the Suppan Gallery in Vienna in 2007.

Bedside Table

Chinoiserie style bedside table made of black lacquer with painted decorations and decorations made of soapstone.

Italy, XX Century

Chandelier in iron and silvered and gilded sheet metal, has a double tier with 12 and 6 lights, carved wooden candle holder. Italy, 20th century.

France, 1921

Wall clock in gilded and carved bronze with leafy scrolls and plant motifs. Enamelled metal dial with Roman numerals for hours and Arabic numerals for minutes. Finely carved bronze hands. The mechanism is engraved with the words "M.me Couchet à Berou".

Still Life

Oil on canvas. Signed top right. The painter of Calabrian origins Enotrio Pugliese, known as Enotrio, preferred to paint subjects linked to his homeland, Calabria, in landscapes but also in still lifes of popular objects, of simple everyday life, such as the composition presented here. The painting is presented in a frame.

Europe, Late XIX-Early XX Century

Wooden crucifix with mother-of-pearl decorations. At the base, figures of saints.

China, XX Century

Pair of vases painted in enamel with plant and animal motifs within reserves and on a gold background. Under the base, mark in blue painted underglaze. The vases are held up by elegant lacquered wooden supports.

Louis Philippe's Armchair

Walnut armchair from the Louis Philippe period, with turned front legs and padding on the armrests, maple fillets.

Italy, Early XX Century

Carved and gilded wooden shelf with dragon figure.

Italy, XX Century

Small console in lacquered poplar painted with floral motifs. Triptych of beveled mirrors in carved and gilded wooden frame. Italy, 20th century.

Table with enamelled metal base with adjustable brass feet, wooden and laminate top.

UK Size 34

Sleeveless padded with goose down, with hood. The four front pockets and three inside make it a well-organized and practical item. It has two zip openings on the sides and a similar martingale on the back. Born as a men's item, but can be worn with versatility. Some stains on the fabric.

Composition, 2004

Mixed media on canvas, applied to cardboard. Signature, title and date of the work on the back. After an initial period in figurative style, the Milanese painter Mario Arlati soon finds a new dimension, which will become characteristic of all his work. In Ibiza, in fact, where he often lives since the 70s, he discovers and makes his own the informal material of the Spanish school which, fused with the wild dimension of the island, gives life to works of great consistency in which the artist literally moves the material: lacerations, scratches, stratifications, colors, but also energy, gesture, emotions, poetry. Arlati's material is a representation of his intimate soul, made of feelings, emotions and evocations of the landscape. The work is mounted in a plexiglass case