Antique Baroque Drop-Leaf Secrétaire with Drawer Walnut XVIII Century - Lombardy, Third Quarter XVIII Century

Southern Italy Late 18th Century

Polychrome majolica plate decorated with a geometric motif both on the rim and on the bowl.

Oil on canvas. Genoese school of the 18th century. The countryside landscape sees a crumbling structure rising in the center, the ruins of a building through whose torn walls you can see the masses of white clouds in the background flowing; in front of it flows a stream, in which a woman is washing clothes, while her companion sits on a nearby rock, in line with the female figure and almost symmetrical with the female figure. The scene is characterized by a particular search for light, by a dynamism of forms (you can notice the directional continuity of the treetops with the roof of the ruin and the clouds) and by the theatricality of the figures, all elements that have defined the pictorial production of the Genoese Baroque. Restored and relined, the painting is presented in a period frame.

Oil on canvas. The painting is inspired by the pictorial methods of Francesco Foschi (1710 -1780), an artist who specialized in landscapes and who widely spread the taste for winter landscapes. In this painting we have a glimpse of a mountain landscape, with a village located in a valley beneath rocky and snow-capped peaks. Even the houses and meadows are sprinkled with snow, which is absent on the path traveled by numerous figures; the pink atmosphere of the sky evokes the beginning of a new day, already fervent with activity. The painting has been restored and relined. It is presented in a mid-20th century frame.

Oil on canvas. The scene depicts the episode told in the biblical book of Genesis, of the expulsion of Adam and Eve from the Garden of Eden, after they committed the sin of eating the forbidden fruit, fruit of the tree of knowledge of Good and Evil. Aware of their nakedness, the man and woman are driven away by an archangel, with the sword of justice in his hand and surrounded by a cloud of fire, they walk shamefully and modestly into the world, represented in a Nordic landscape. The painting, restored and relined, is presented in an early 1900s frame, with carved and applied wooden decorations and friezes.

Italy, Late XVIII Century

Majolica plate with lobed rim. In the center of the plate there is a decoration with a group of turreted buildings inside a frame with leafy branches.

Italy, Late XVIII Century

Majolica plate with lobed rim. In the center of the plate a group of turreted buildings rises from an island of land with plants; the background is crossed by glazes representing the sky. Along the frame decoration with leafy sprigs that emerge from the perimeter.

Italy, Second Half XVIII Century

Majolica plate with lobed and molded rim. In the center of the plate a group of turreted buildings rises from an island of land with plants; the background is crossed by veils that represent the sky. Along the frame I decorate with leafy branches that come out from the perimeter.

Italy, Late XVII Century

Majolica plate decorated with great heat in shades of blue.

Italy, Mid XVIII Century

Estense majolica plate with wavy edge and floral decoration in the hollow. Flowers also scattered across the brim, a sinuous line runs along the edge of the plate. Possible attribution to the workshop of Gian Maria Dallari.

Oil on canvas. Venetian school of the eighteenth century. The portrait proposes the figure of a young woman wearing an everyday dress, but embellished with spotted fur edges; curiously, with the raised arm she flaunts a fur muff tucked over one hand, probably a habit to underline a fashion of the time. The painting shows signs of restoration, with conservation of the original canvas, although reassembled on a new frame. It is presented in a coeval oval frame, but surmounted by a wooden frieze added at a later time.