Antique Murano Chandelier Glass Italy XIX Century - Italy Mid 19th century

France, Late XIX-Early XX Century

Bronze table clock with leafy scroll decoration and amphora at the top. Residues of gilding are visible on the back. Dial with Roman numeral hours and mechanism marked Japy Frères Medaille d'Honneur.

Central Italy, Late XIX Century

Polychrome majolica putto depicted in the act of flying.

France, Late XIX Century

Polychrome porcelain figurine depicting a young commoner.

France, Second Half XIX Century

Freestanding clock in gilded bronze with leaf scroll decorations and vegetal motifs. Enamelled metal display with Roman numeral hours and Arabic numeral minutes protected by a curved glass lid.

Italy, Late XIX Century

Ceramic serving plate decorated with a stylised polychrome bouquet of flowers on the bottom and a blue geometric Greek pattern along the rim.

Italy, Late XIX Century

Ceramic plate, Veneto area, decorated in polychrome with a caricatured character in the hollow. The rim of the plate has a sponged decorative motif in brown tones.

France, Second Half XIX Century

Gilt and burnished bronze sculpture depicting a tamer with a horse. The author's signature is inscribed on the base. Posthumous copy.

Italy, Late XIX Century

Ceramic plate, decorated in polychrome with a flower and vegetal swirls in the hollow. The brim features a sponged blue Greek key. Manufacturer's mark on the back.

Italy, Early XIX Century

Ceramic plate, with polychrome flower in the hollow and rim decorated in blue.

Europe, XIX Century

Pair of Neo-Gothic candelabra in burnished and gilded bronze. Cathedral decoration in the central part, feet in the shape of a beast and arms with leafy scrolls.

Spain, Mid XIX Century

Majolica plate decorated in monochrome blue. The plate features a branch of flowers with large blue petals in the hollow.

Italy, 1880 ca.

Earthenware plate, decorated in strong polychromy: the rim is adorned with the “buranello” lace motif in black, while the bottom of the plate features the figure of a hunter with his dogs. The pictorial formula is particularly rich with the usual sponging to accelerate the green coloring of the bushes and tree branches. The freehand painted figure is respectful of the Venetian tradition.